The Night the Moon Split

Ivanka Dimitrova is a Bulgarian-American author, content creator, and accounting manager based in the United States. Her professional and creative life spans two distinct worlds — the practical world of financial management and the imaginative world of writing for children and adults — and it is the intersection of these two that gives her literary voice its distinctive combination of discipline and warmth.
She is a member of several distinguished professional literary organizations, including the Society of Children's Book Writers and Illustrators, the Mystery Writers of America, the Lone Star Writers Club of Texas, and the Women's National Book Association. She is also an accredited travel journalist with the International Travel Writers Alliance, a credential that reflects her interest in the wider world and the stories that different cultures carry. As a mentor with the Jane Austen Literacy Foundation, she has demonstrated a personal commitment not only to writing but to the cultivation of literacy and the love of reading in others — particularly young people.
As a mother of two, Dimitrova brings to her children's writing an authenticity and sensitivity that is grounded in lived experience of raising children in a world where connecting young readers to meaningful stories is both a challenge and a responsibility. Her approach to Islamic children's literature is characterized by accessibility and emotional engagement — she writes not as an insider to the classical Islamic scholarly tradition but as a skilled storyteller who understands how to make ancient and sacred events feel immediate, personal, and real to a child sitting in a bedroom in the modern world.
Her work for IIPH represents an important dimension of the International Islamic Publishing House's mission to produce high-quality English-language Islamic content for Muslim families living in the West — families whose children are growing up in non-Muslim majority societies and who need books that speak to them in their own language, with the same narrative craft and visual quality they encounter in mainstream children's literature, while remaining rooted in the authentic Islamic tradition.